Nick Meredith's track record in Louisvilles music scene is a long one, dotted with notable moments that positioned him well for his latest turn as the new owner of 400 Recording.
The former owner, Marcus Withers, told me he was going to sell the studio, and my plan had always been to own a studio. I feel like Ive been running studios for years already, in multiple locations, said Meredith. People tell me all the time, Why dont you just open your own spot? Youre the glue holding all this together, things like that. Ive been working out of 400 since 2019.
400 Recording, located on 400 E Oak Street, opened in 2017. While five years isnt a long time in business, 400 has made a significant impact. So much so that it won Studio of the Year in the Kentucky Urban Entertainment Awards this month. The KUEA are 60% voter- and 40% board-selected.
400 fills in some puzzle pieces that were missing from the city. Some other studios have more expensive equipment and more experienced engineers, but theres no place else in the city thats crafted for young, hungry artists that need more than just somebody to hit the record button. They need help developing, and linking up with the right people so they can progress in their careers and take this music stuff seriously, said Meredith.
THERES NO PLACE LIKE HOME
Louisville artist OS Critic has been recording at 400 since it opened, following engineer Slim Doja there.The best studios arent made by the best equipment, he said. In my opinion, the best studios are built off of passion. 400 is a place filled with creatives that love what they do. Its not just a recording studio. 400 is a place of opportunities. They have open arms and are willing to let new engineers come in every day to either start or develop their careers. Ive seen plenty of engineers and artists take over the city from inside those walls. Theres so much comfort and love there, it starts to feel like family.
Another local rapper, Anna B, concurs. 400 is home. Its a safe place for me, a place to be disconnected from the negative world. I look at the booths as walk-in diaries, ready for my rhymes.
OUTREACH TO THE CITY
400 has gained a reputation for being a mecca to the rap community, and that will continue. At the same time, Meredith plans to reach out across genres.We want to make this a home for artists looking for development, no matter what genre they are in, Meredith said. Were going to do marketing outreach to all the music communities, although, to build the brand and build the name, theres more to it than just marketing. I want it to be that when somebody who makes music casually talks about recording or talks about needing certain things to get their music career going, people are like, Oh, you should check out 400 Recording.
Louisville rapper Truveli spends a lot of his time in Los Angeles, but comes back to 400 to record. Even with all the opportunities and options in L.A., his home studio still has that magnetic power to keep him connected, and its because of Meredith, whom hes known for four years.
My friend Josh Newton knew I was making music and he took me over to 400 in 2018, Truveli said. A guy named Ezra opened the door for us and I ended up meeting Nick, who was engineering at 400 way before he owned it. Nick became a huge component in my progress as an artist. Once he believes in an artist, hes the best producer. Hes the best engineer. He knows what its like to come from the bottom to the top. Hes been around everybody in the music scene. Its amazing that he owns the studio now because he was doing all the work for the studio for a long time. Hes been running things already, he said.
THE ROAD TO STUDIO OWNERSHIP
Meredith is confident the studio will actualize as a hub that serves many genres organically because of the relationships hes built over ten years. While he cant remember the exact moment he knew a career in music was in his future, there are recollections from his younger years that make it make sense.Before there were streaming apps with playlists, there was jamglue.com. The site allowed him to make remixes and mashups, taking an instrumental and adding a ridiculous cast of rappers that had available a capellas. I put Linkin Parks We Made It with A Milli by Lil Wayne and I still get text messages every year about it from people I havent seen in forever. Back in the day, friends would sync their iPods to Merediths computer so they could listen to his productions.
Before long, Meredith started DJing. He learned how to produce and engineer which is now his mainstay and along with a group of friends that includes Ace Pro of The Homies, created the collective Private Garden. Even at that young age, Meredith had a vision for excellence. He wanted to see the music scene grow, but wouldnt put his energy into a project just because it was local. It had to be really good.
When we first started Private Garden, we were going to make t-shirts that said Support Local Music but the word local would be crossed out and above it the word dope would be added. Ideas like that were a big reason [Jack] Harlow messed with us and kinda allowed us to take him on under our wings, Meredith said. Private Garden was always collaborative and we didnt just keep to ourselves, but we also told you if we didnt think the music was good.
In the formative years of Jack Harlows music career, Meredith became his DJ, and hes still widely known for that in the city. But Meredith doesnt ride on coattails or associate with talent as a flex.
Ive played many different roles in music. Jacks my brother more than anything, Meredith said.
His focus continues to be on excellence and constant growth: I want people at my neck with me as the owner at 400. I want the people around me to say, Dude, this is a problem. You need to fix this. Where are we thinking about upgrading? I dont want a bunch of engineers in here who are just going with the fl ow and not putting any thought into how this place can be better and what the next things we can do are to improve it. Im like that with everything I do.
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