Standing in a pile of sawdust and shavings that is roughly the size of a batter’s box, Andrew Brown inserts a long, rectangular spear of poplar into a lathe in his Germantown garage.
Things don’t look so bright in the sinister comic world of Wes Hillegas.
Just call the man Duffy, if you will. Bored with the limitations of two-dimensional art, Duffy became a sculptor by accident — a car accident, that is.
“My gut” — that’s what Geoff Carr, 55, listens to when he’s looking for a scene to photograph.
Speed moves to dig deeper into community
Meet your new community center, the Speed Art Museum.
Suzanne Edds is living the dream.
The drawings are massive, two-paneled pieces stretching across eight feet or so of the floor in Ying Kit Chan’s office at the University of Louisville, where the Hong Kong native is a profess
It’s a riddle wrapped in a mystery inside an enigma (thank you, Winston Churchill): How could a person who has an aversion to fire be a glassblower?
Not even “bad” artwork gets much criticism in saccharine America, but provocative artist Thea Lura welcomes it.
Searching for balance in a chaotic world, Eddie Santiago’s paintings reflect the journey of someone who has seen the good, the bad and the brutal.