If you were looking for a dose of in-your-face, no-nonsense punk fury, then Kentucky, the debut album by Boner City, is just what the doctor ordered. The energy is infectious, and it channels some amazing artists into a synthesized whole. There is more than a little hint of The Monorchid or Skull Kontrol, filtered through The Dead Kennedys, and ’50s rock. I can even make out a Plan-It-X Records-vibe here in the dynamic and positive atmosphere that the music engenders. As such, you can’t help but walk away from this without having a hook in your head, as Boner City offer the kind of punk that doesn’t shy away from pop, but doesn’t quite fit the pop-punk criteria, either. It’s a delicate balance, but one that they handle ably.
Sign up. We hope you like us, but if you don't, you can unsubscribe by following the links in the email, or by dropping us a note at leo@leoweekly.com.
Signup
By clicking “subscribe” above, you consent to allow us to contact you via email, and store your information using our third-party Service Provider. To see more information about how your information is stored and privacy protected, visit our policies page.
Subscribe to LEO Weekly Newsletters
Sign up. We hope you like us, but if you don't, you can unsubscribe by following the links in the email, or by dropping us a note at leo@leoweekly.com.
To sign up now, enter your email address in the field below and click the Subscribe button.
By clicking “Subscribe” above, you consent to allow us to contact you via email, and store your information using our third-party Service Provider. To see more information about how your information is stored and privacy protected, visit our policies page.
