Three shows to see this week:
The Lone Bellow Making acoustic, singer-songwriter music drenched in alt-rock, The Lone Bellow produces exploratory and melancholy folk thats big and atmospheric. Living in a space thats as indie as it is rootsy they describe themselves as Brooklyn country music, if that clarifies things The Lone Bellows style is for people who who prefer how traditional music has branched out along the way over where it started.
Who should go: People who have found themselves wishing Radiohead would make a country record.
Where and when: Mercury Ballroom, Sunday, Oct. 25
The Tillers Cincinnati-based Americana band The Tillers have a wide-ranging, but familiar, sound that swirls bluegrass, folk and other traditional stylings and filters that through their musical pasts, as the self-described recovering punk rockers still carry a straightforward, heavy-handed edge with them. All of that equals a lot of noise for three people and they add to their expansive dynamic with two, interchanging lead singers, one more drawn to traditional bluegrass vocals and the other toward underground, grizzled country music.
Who should go: Anyone who likes roots music being delivered in interesting ways.
Where and when: The New Vintage, Wednesday, Oct. 21
Cold Fronts A quirky indie-rock band that deals in gritty pop and high-energy, interwoven guitars, Cold Fronts has the heart and swagger of Thin Lizzy, injecting shots of adrenaline whenever possible, but the vision and oddball creativity to filter light punk and shredding rock through a reasonably catchy aesthetic. Pop-punk like country is a genre that carries a lot of negative connotations and brings to mind waves of terrible musicians, but when its done right, it can shine. If you consider Cold Fronts pop-punk I do, to a degree they have it down.
Who should go: Fans of Guided By Voices.
Where and when: Zanzabar, Sunday, Oct. 25.
This article appears in October 21, 2015.
