Unlike some of his Odd Future cohorts, Earl Sweatshirt seems less prone to needlessly provoke controversy.
This album really should have been buried by its ambition, but somehow found its way through the sheer weight of moving parts, genre collapsing and humor amidst lofty topics to make for one of 2013
Robert Walter has reconvened the 20th Congress, with Cochemea Gastelum and Karl Denson on saxes, Elgin Park on guitar, and others.
Like Mission of Burma’s Signals, Calls & Marches, An Object is a people’s record.
Since the untimely disbandment of The Mars Volta, guitarist Omar Rodriguez-Lopez has changed course, and no, not with another solo album.
It’s easy to fall in love with Paracosm, and nearly impossible to quit it.
There's an American gothic undercurrent running through Love Hangover, Old Baby’s second full-length release.
We’ll start here: This album is ridiculously good.
Can you say “straightahead jazz”?
A family affair, producer Paul “Finlism” Finley built the tracks while his 14-year-old son Damian mixed and mastered a Whitman’s sampler of the city’s nicest emcees for the