The #MeToo movement continues to inspire artists. Aleksandra Stone’s latest exhibition at garner narrative, “Fruits of Labor,” reveals her portraits of emancipation, a change of what she considers to be “misogyny to femmephobia.” Them’s fightin’ words. “Over time, the contorted shapes I assumed in my portraits became a temporary answer to the quandary of objectification,” Stone said, “The shapes thus became a symbol of resistance … how I might emancipate my body from cultural inscriptions.”