For last years Forecastle issue, we profiled Jecorey 1200 Arthur in the cover story, so this time around, we asked him to break down his forthcoming debut double album Séance/Spirit a concept album that explores the duality of the darkness and light that follows us through life. His insights offer a view of the songs and the themes. Heres what Arthur told us:
Séance (dark / hell)
Welcome is the ghoulish beginnings of your trip to another realm. Our story is narrated by 1200s great-grandmother, Peggy Arthur (b. 1934). Over an eerie Grand Kaiser track, we are welcomed to the journey of a young black man.Hymn is the introduction of our character, 1200, a split soul on the fence about place and purpose in life. I used my voice as an instrument as it croons over Nick Bs electric piano in an entirely improvised fashion.
Twenty paints the picture of our narrative urban plight being the key to self-destruction or self-motivation. Here we travel through the teenage years of life, urban myths that surround them and the downfall of young black men.
Slain highlights what was unfortunately the most heartbreaking epidemic of 2016 police shootings. Our character narrates the events of several incidents before interpreting one himself through the eyes of Michael Brown, shot in August 2014 by a police officer. The lyrics were inspired by an article about the final words of slain victims.
Séance serves as the theme for the album longing to communicate with those who are no longer alive, whether that be literal, metaphorical or a combination of both. Séance features guitarist Zach Groves and rapper Metez while our character shrieks in the background.
Abyss shows our character in shambles isolated and defeated by the desire to not live. The story quickly turns for the worse as our character slips into the depths of hell.
Problem is the Earths core filled with evil and demons. 1200 is an untamed beast labeled as a problem child by many, including children from his life (e.g. Hite Elementary Jam Band singing a creepy Halloween cannon during the second half).
Skeletons represents subconscious thoughts and confusion within our character. The narration and voice of reason (educator Bryen Warfield) is haunting 1200.
Slumber is a glimpse of our characters nightmares. He is being haunted by something unhuman and heartless, but might not even be human himself. Greg Brown is the only vocalists here, singing, Sometimes I feel like Im unreal. I wrote this song in the tenth grade.
Goddess serves as the solution for 1200 and the worlds issues love. He admits to losing his faith in a higher power, and begs for forgiveness, with the help of pianist Teddy Abrams and singer Otis Junior.
Resurrection takes us back into the desire of reaching people, dead or alive. Tyler Dippold sings a chilling introduction before we launch into a fiasco of sounds (e.g. glockenspiel and trap drums). 1200 begs to bring lost souls back to life, but soon realizes he is as lost as they are.
Dance is our acceptance of death and celebration of life. With the help of Cheyenne Mize and my 8-year-old brother, Kamrin, we dance in harmony on the best night of our deaths.
Spirit (light / heaven)
Fly was written in-flight on what felt like the pathway to heaven. 1200s great-grandmother, Peggy Arthur (b. 1934), introduces this new realm as our character welcomes us to the temple of dreams.Reincarnation is where our character becomes his true self mere sound. This is first of three marimba pieces written on Spirit. It parallels the melodies of Resurrection on Séance, but has a much lighter and subtle approach.
Narcolepsy is a flashback to the mind of a young 1200, playing with Legos, Gameboys, and naïvely fighting sleep. It takes place in both a dream and a nightmare but represents the innocence of children.
Skin is the proposal of love. Our character sings from the perspective of someone who has never experienced love, but quickly becomes fond of it. The entirely-improvised piece is supported by keyboardist Nick B and vocalist Tyler Dippold.
Solution is the second of the three marimba pieces on Spirit. It borrows the melody heard on Problem, but in the major mode and is stripped of all other voices, instruments or distractions. The piece is an offering from our character to solve the worlds issues.
Silence is adapted from an old 1200 song with Dong-Joo Hwang, Positive Vibes Only. Contrary to the title, the song advises us to not be silent in moments of adversity.
Devil has us rejoicing in a holy place. The refrain is inspired by an old gospel song I grew up hearing in church. Here our character casts away demons of the past (i.e. Séance).
Immortal is the final marimba piece, and the most legato. It smooths melodic ideas that seem to last forever before leading us into the actual afterlife many of us fear.
Alive is adapted from a song I wrote with old bandmates, Grease Trap. It has since then been performed by The Monolith. This version is quite different in subject matter and approach. The lyrics depict the life of a man who dies and becomes a lost ghost.
Peak used to be known as the Louisville City Football Club Anthem, but has since then been turned into an anthem for all. The song represents reaching a mountaintop or goal and feeling triumph. Following a strong chorus from Cheyenne Mize, we hear drums for the first time on the album. This paired with the repetitious chants symbolize victory.
Secular is a reflection of life following the peak. I ride over Nick B production with help from singer Jacqui Blue. Though the content deals with every day social, political and racial issues, the sentiment is that we can rise above those because we are way up on cloud 12.
Goodbye is the closing statement for Séance & Spirit. 1200 wishes us farewell and promises you will still hear his voice even in his absence.