blistered asphalt on dixie highway: Kentucky Basketball is Poetry in Motion by Ron Whitehead (Finishing Line Press; 40 pages, $14.99)
Many and diverse are the audiences that have found entertainment and enlightenment in Ron Whiteheads poly-hyphenate, artistic output. Hunter S. Thompson loved him, and so do we.
Naturally, he repays this by darting over into another unexpected artistic corner and delivering a chapbook about his life as seen through the lens of Bluegrass basketball.
Sports poetry has its own special history, whether you want to chase down ancient verse about contests and challenges, or youd rather trace the modern arc from Walt Whitman on through Casey at the Bat. Poems can celebrate the athletic form as a human ideal, or compare fandom to bloodlust. And were in a part of America where basketball infiltrates school schedules, race relations and a lot more so opportunities for a talent like Whitehead should be rich.
Well, maybe its just too ripe a target to stare the regional culture of basketball straight in the face, and so Whitehead refuses to go wallowing. Instead, we get lean vignettes about the poets lifelong relationship with the game, following along with (and making its own) key moments in his life.
Of course, it starts with innocence and unabated appreciation for the simple joy of playing wherever some Kentucky kids could find the equipment back in the 1950s:
its time to order new nets from the sears catalog and we keep pumping air into the bald basketball
As school and leagues bring the playing into complement, or conflict, with institutions, Whiteheads sharp observations from real life show a later Kentuckiana as a shifting borderland between rural and suburban concerns:
he stole the ball like a mouse steals cheese he earned the school record for steals many folks said that if the renders hadnt moved to valley station in south Louisville cause raymond dick render got a job as grader operator building the watterson expressway if theyd just stayed in centertown
Any subtext about a bygone paradise is plunked down on center stage in one of the highlights here, when presidents Ronald Reagans and Bill Clintons policies are stood up against the consolidation of high schools to see which really tolled the death of small town usa ...
Moments like that are few. Whitehead prefers filling meter with lists of items that collectively convey place and time like chorus lyrics in a rock anthem. The time-spans grow wider and concepts of home keep shifting but the poet repeatedly points to the wake-up reminders hes received when blood is drawn in rough play:
ive had many broken bones and I have scars on scars from playing ball and too many fights and ive experienced numerous altered states of consciousness but nothing quite like when kenny davis elbowed me and I saw stars
The chapbook closes with a flurry of pieces that cover so much territory that its like theyre in a higher gear, and together they accumulate a summation that cant help but make you smile. This poets language gifts, once honed, got him acquainted with Beat legends. And his high school and college basketball playing days put him next to Hall of Fame coaches. But, he points toward the level of respect those icons have earned, and says it is also earned by the next street baller whos tough and quick, and who sees a cagey similarity when the 60-something Whitehead steps onto a court.
Whitehead is the guest poetry judge for the 2017 Literary LEO contest.