Film: Shorties (recently reviewed in LEO) for 4-2-08

FUNNY GAMES (Starring Naomi Watts, Tim Roth, Brady Corbet, Devon Gearhart and Michael Pitt. Directed by Michael Haneke.) Writer and director Michael Haneke’s remake of his own 1998 film stretches the patience and tolerance of anyone without a dark sense of humor. The violence is both plentiful and stylized, face-front yet often, paradoxically, occurring off camera and thus out of reach. (Reviewed 3/19; B) —Paul Kopasz

DOOMSDAY (Starring Rhona Mitra, Bob Hoskins, Alexander Siddig, Adrian Lester and Sean Pertwee. Directed by Neil Marshall.) Director Neil Marshall strives for instant cult-classic status with his trash epic. The plot involves the government quarantining the entire Glasgow population because of a flesh-eating virus, but the story swerves into absurd set pieces that have the logic of a Troma movie. (Reviewed 3/19; B) —Jamie Peters

HONEYDRIPPER (Starring Danny Glover, Gary Clark Jr., Keb Mo, Ruth Brown and Kel Mitchell. Directed by John Sayles.) In Sayles’ “Honeydripper,” everything is exactly what it seems, and that is a problem. If the director’s intention was to imitate the cadences of the minister at the pulpit, he succeeds mostly in being preachy. Every issue of importance to black America is trotted out onto the main stage in this pedantic script. (Reviewed 3/12; C+) —Paul Kopasz

THE BANK JOB (Starring Jason Statham, Saffron Burrows, Stephen Campbell Moore, Daniel Mays and James Faulkner. Directed by Roger Donaldson.) Star Jason Statham parlayed his talents for physical action into a low-investment, moderate return at the box office. The “based on a true story” aspect enables the movie to justify its pretzel-twist plot convolutions, while most heist films just use them as exhausting gimmicks. (Reviewed 3/12; B-) —Jamie Peters

CITY OF MEN (Starring Douglas Silva, Darlan Cunha, Jonathan Haagensen and Luciano Vidigal. Directed by Paulo Morelli.) “City of Men” was produced by the team behind “City of God,” and both films are concerned with Brazil’s extremes. Much American gangsta films, this film explains the social ills of the ghetto by providing a panoramic view of its economic infrastructure and culture. (Reviewed 3/5; A-) —Alan Abbott

PENELOPE (Starring Christina Ricci, Reese Witherspoon, James McAvoy and Catherine O’Hara. Directed by Mark Palansky.) A pocket-sized guide to grrl power as a bloated feature-length movie, this movie binges on life lessons but purges complexity. It fashions itself as a whimsical tale about the importance of self-realization — in order to lift a curse of a pig-snout, the main character must marry a fellow blue-blood. (Reviewed 3/5; C+) —Jamie Peters