The Monks’ Black Monk Time bursts from the speakers as a bacchanalian humdrum of Cold War paranoia and exuberance.
Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other ti
Akron/Family has intelligently crafted an eclectic, malleable record that is not afraid to experiment — almost to an alarming level for a fairly accessible group.
With song titles like “Christhammer” and “Waverly” (named after the abandoned, haunted Louisville T.B.
It’s undeniable now. We’re living in a post-emo world.
On The Sympathetic Oscillations EP, Thunders distinguish themselves as a cut above the average garage rock outfit by never limiting themselves to the standard tropes of the genre.
Anyone with an appreciation for old-school, hardcore punk is going to have a hard time disliking XO from LeATHERMOUTH.
Brooklyn duo Mouthus are usually grouped alongside noise artists, despite being a guitar/drums duo.
In the most relaxed album of his now-decade-plus resurgence to relevance, the world’s greatest living songwriter is having a lot of fun by not writing about anything apocalyptic.
Louisville native Tara Jane O'Neil's first album for K Records, A Ways Away, is a gorgeous atmospheric folk jaunt that makes desolation seem desirable.