Life isn’t like kindergarten. One doesn’t get high marks just for “satisfactory”; it’s sink or swim.

Why is his album called Shark Week, you ask? Because he’s the “Great White Hope.” Oy. Excuse me while I shake my head on the branding alone.

Producer, bassist and beatmaker Richard Herrell worked his contacts list to put together his first “producer album” with some of the city’s nastiest emcees.

A Spiderland for a new generation, Seluah’s long-gestating first full-length album is nothing short of a masterpiece.

Crash DDZ has been a staple in the Louisville hip-hop scene for more years than he’d probably like to admit. From the 502Headz to The DareDevilz, the guy’s CV is Teflon.

If Jack Fry’s salmon was served navy blue, would it still be the best plate of food in the city?

After dropping his smoke-filled, ahem, joint EP with T-Razor earlier this year, Dissent comes as a full about-face, a politic-filled project that doesn’t come off as overly c

The trio of Yo La Tengo are professors in exploring the range of indie rock.

With three albums of unorthodox rock under their belts, Tomahawk (vocalist Mike Patton, guitarist Duane Denison, bassist Trevor Dunn and drummer John Stanier) let Oddfellows expand

Reviews of locals should never take budget into account; when a Jalin Roze can create major-label quality on a day-job budget, excuses are unacceptable. Rnbw Mzk is bad.