I’m on the record about Ohio: I don’t like going there, I don’t like to watch OSU play and I definitely don’t like 98 Degrees (Cincy natives, the lot).
Drummer Mike Clark caught the attention of drummers when he played with Herbie Hancock’s Headhunters on Thrust. His hyper-syncopated funk set new standards.
From the moment that “Fear and Loathing in Mahwah, NJ” mutates from lo-fi murk to a pounding, wall-of-noise sea chantey, Titus Andronicus make their intentions clear.
Jim Hall, a grand master of mainstream jazz guitar who has always maintained a sense of adventure, and Bill Frisell, who integrates digital loops with rustic Americana, have joined forces for a sup
We should all just be glad there’s a musician like Andrew Bird out there.
Scottish ambassadors break into America with longing narratives of infidelity, gangs and murder, and drench it all in swarms of fuzz, keys and throbbing, steady beats.
If there’s one thing I can say about The Phat Mavericks, it’s that they’re proficient. They do what it is they do very well. What it is they do, though … hell if I know.
This reissue of Raleigh, N.C.’s Chatham County Line’s first album contains all the hallmarks of what you’ve come to expect from bluegrass: plenty of space, light-speed runs and fa
Undoubtedly, Animal Collective boasts a vast, eclectic and (sometimes) challenging repertoire.
Nick Dittmeier began his career with A Suburban Blood Drive, a standard-issue emo band that abruptly recast itself as a cartoonish death-metal act once its Saves the Day-influenced pop-punk fell ou