Ezra Kellerman unveils his social sculpture ‘Nineveh’
The first thing you notice about “Nineveh,” Ezra Kellerman’s site-specific installation at the Cressman Center, is the way it transforms the gallery.
During the golden age of mix tapes in the ’80s, when they freely roamed the Earth uncontested, it was hard to imagine a time when they wouldn’t exist in plentitude.
It seems that people who take themselves too seriously — the kind who buy nicer cameras than they really need and post close-ups of roses and “textures” on their Flickr pages &mda
In his new exhibit at Art Ecology, digital artist J.B. Wilson uses a colorful combination of images and words on illuminated panels.
KMAC’s artist-in-residence makes herself at home
These days, Alice Stone can be found perched up on the third floor of the Kentucky Museum of Art and Craft.
Taletha Al Badr stands motionless on the modest stage at the back of the room, her right arm extended above her head, fingers curled inward. In the background is distinctive Middle Eastern music.
A review of the Louisville art scene
In the summer of 2004, I was in New York finishing up the details of an exhibition I was curating called “Earth and Memory: African and African-American Photography.” The exhibit was sc
Kathleen Fitzgerald came into the art game a little later than most.
Ever driven by what looks like a fancy barn on Shelby Street? Walked around Yew Dell Gardens?
Whether it’s detailing the human form or expressing the rhythm of a galloping racehorse, Jeaneen Barnhart sets out to capture the tension in movement in her drawings.